A Frame-Maker’s Journal

TimHolton writingUpdates and reflections on our work and mission to revive the art and craft of framing pictures. Here I'll show you new jobs we're especially proud of and keep you up on what's going on at the Gallery, as well as discuss topics germane to our work, including handcraft and work generally, the place of art, and ideals of the Arts and Crafts Movement (especially its greatest leaders, John Ruskin and William Morris).

I hope you’ll subscribe (see the form in the left column) or at least check back often. And I welcome your comments!

—Tim Holton

Floating Robert Rauschenberg

Posted on October 14th, 2020

This is a collage/mixed media piece by avant-gardist Robert Rauschenberg (1925-2008). It’s 14″ x 10″. We used a maple Floater frame at 3/8″ wide and 2-1/2″ deep, in maple with liming wax, a white-tinted paste wax. Floating disconnects the p... continue reading.

Framing Another William Keith

Posted on October 11th, 2020

We just framed this large 40″ x 72″ oil painting by William Keith (1838-1911), “Mount Tamalpais from the Northwest,” 1879. At right is how it came to us—in a fussy compo and metal leaf frame that has nothing to do with the mood of the painting.... continue reading.

Framing a Monique Wales Linocut

Posted on October 4th, 2020

One of the joys of being a picture framer is having customers introduce me to different artists. I’ve been especially pleased to learn about printmaker Monique Wales, who made this linocut called “Take Away.” The image measures 24″ x 18.” T... continue reading.

Take Me There: Framing Paul Roehl’s Poetic Landscapes

Posted on September 21st, 2020

A couple of months ago, Paul Roehl came by with an astonishing batch of new work, including this one, “Antonelli’s Pond” (2009 & 2020; oil on panel, 16” x 20”). Jessie and I soon realized that a show had fallen in our laps. The show’s called ... continue reading.

Framing Kawase Hasui with Proud Splines

Posted on September 13th, 2020

With merciless wildfires raging throughout the West, it’s a good time to visualize rain. Just finished this beautiful woodblock nocturne by the great shin hanga printmaker Kawase Hasui (1883-1957), and am very pleased with it. The oban size print (14-1/4″ x ... continue reading.

Framing Selden Gile

Posted on September 11th, 2020

This little 12-1/2″ x 10-1/2″ oil on board is by Selden Connor Gile (1877-1947). Gile was the central member of Oakland’s Society of Six, a remarkable and passionate group of plein air painters active in the teens and ‘twenties. The other members... continue reading.

The Re-Framings of Percy Gray

Posted on September 8th, 2020

One of my favorite early twentieth century California painters is Percy Gray (1869–1952). We were very lucky recently to have three works by the great watercolorist come in to the shop in quick succession. The first, which is 16″ x 20″, arrived like this. ... continue reading.

“Love Made Visible”: Kahlil Gibran’s Frame for Labor

Posted on September 7th, 2020

Do you know the painter and poet Kahlil Gibran? Labor Day is a good time to ponder this passage from his famous work, The Prophet, a passage that includes the words, “Work is love made visible.” Then a ploughman said, Speak to us of Work. And he answered, sa... continue reading.

Framing Thomas Stream

Posted on August 25th, 2020

This is a contemporary print titled “Puppy Gray” by Aleutian artist Thomas Stream. The large subject and strong contrasting colors and bold, graphic design on white paper made a white mat the best choice. The fun part was giving it a suitably bold, graphic f... continue reading.