A Frame-Maker’s Journal
Updates and ruminations on our work and mission to revive the art and craft of framing pictures. Here I'll show you new jobs we're especially proud of and keep you up on what's going on at the Gallery, as well as discuss topics germane to our work, including handcraft and work generally, the place of art, and ideals of the Arts and Crafts Movement (especially its greatest leaders, John Ruskin and William Morris).
I hope you’ll subscribe (see the form in the left column) or at least check back often. And I welcome your comments!
Today Jessie, Steph and I hung “Little Windows II” at the Gallery in preparation for tomorrow’s opening. (No reception; we’re still being cautious about the number of visitors inside.) Made up of California landscape paintings, 9″ x 12″ and smaller, it’s a reprise of a show we held last summer, only that version was online […]Continue Reading »
“To foster intercultural respect and understanding, lifelong friendships, and leadership skills for a more just and peaceful world.”—Motto of International House, UC Berkeley In the Gallery, we’ve been enjoying featuring a number of posters by one of... continue reading.
May is a flowering time, and nothing suits frames better than flowers. Two prints to recently come through the shop inspired carved flowers in the frames. The iris (unsigned) is a Japanese woodblock, and the figure is a copper etching by Yuji Hiratsuka, a Japanese Ameri... continue reading.
Here’s a lovely Mary DeNeale Morgan (1868-1948) pastel we just framed in a cove profile, our No. 308.0. Morgan was best known for her Monterey cypress trees. This is a classic California oak, though, and is suitably framed in quartersawn white oak with Weathered O... continue reading.
Architecture depicted in a painting is very often a cue for designing the architecture of the frame. We just framed this ca. 1900 unsigned impressionist painting of a Paris street scene for California Historical Design. The painting’s 9-3/8″ x 13-7/8″.... continue reading.
Lawrence Ferlinghetti was not born in San Francisco, but San Francisco, and more particularly its famously Bohemian neighborhood of North Beach, became the frame for his twin arts of painting and poetry. Eventually his adopted town acknowledged Ferlinghetti’s cont... continue reading.
Here’s a good image for spring. I have a soft spot for the prints of Henry Evans (1918–1990) because I knew the artist a little bit. In my early years working at Storey Framing, Evans and his wife Marsha were regulars, coming in for frames for Henry’s prin... continue reading.
A pantheon of great Bay Area artists would not be complete without William Seltzer Rice (1873-1963). Best known for his block prints, Rice also painted beautiful watercolors. We just framed one of each medium. First, the watercolor: “Autumn Leaves, Leona Canyon,... continue reading.
We got a nice write-up in the current issue of Picture Framing Magazine! The industry’s leading journal chose Holton Studio for its regular monthly “Retailer Profile.” Editor Kim Biesiada interviewed me for it and did a good job writing it up. Read t... continue reading.