A Frame-Maker’s Journal
Updates and ruminations on our work and mission to revive the art and craft of framing pictures. Here I'll show you new jobs we're especially proud of and keep you up on what's going on at the Gallery, as well as discuss topics germane to our work, including handcraft and work generally, the place of art, and ideals of the Arts and Crafts Movement (especially its greatest leaders, John Ruskin and William Morris).
I hope you’ll subscribe (see the form in the left column) or at least check back often. And I welcome your comments!
We’re putting the final touches on our exhibition opening today at the gallery. We have the honor and privilege of hosting “Treasures from the Bay Area: New Paintings From the California Art Club.” This juried exhibition features 56 painters from to th... continue reading.
We recently framed this impressive oil painting by one of the most admired artists of the Monterey Peninsula in the late twentieth century, S.C. Yuan (China & California, 1911-1974). “Carmel Cypress” was painted in the 1960’s. The 26-1/2″ x 2... continue reading.
This little study, “Indian Ponies,” by famed Southern California painter Edgar Payne came to us in a linen mat with an octagonal opening. The outside of the mat is 9-1/4″ x 10-1/4″. I’d been doing more with proud splines—as can be seen in... continue reading.
The unusual imagery of wedding banners central to this 1924 print by Bertha Lum, and giving it its title, offered me an opportunity to use a joinery technique I’d been playing with. “Wedding Banners,” is available from California Historical Design. The... continue reading.
The challenge in framing this beautiful 45″ x 20″ antique poster advertising the 1899 National Export Exposition in Philadelphia was to harmonize utilitarian and artistic concerns: to balance the simplicity and boldness of presentation naturally suitable to ... continue reading.
We just framed three prints by an outstanding contemporary German printmaker, Eva Pietzcker. These prints are examples of her work using the Japanese woodblock technique (mokuhanga) which involves water-based inks, and therefore results in the more muted effects associa... continue reading.
“The system of the world is entirely one; small things and great are alike part of one mighty whole.” —John Ruskin, Modern Painters Theologians of old used to speak of “this great frame of things,” meaning the comprehensive, whole—and holy—... continue reading.
UPDATE SEPTEMBER 1, 2020: Due to the pandemic, I had to cancel plans to teach this class. It was nevertheless a great honor to be asked, and the school is certainly an impressive operation that I heartily endorse! After the school delayed the start of this year’s ... continue reading.
We are featuring in the Gallery, through February 22, paintings by Robert Flanary and Paul Roehl, two of our painters most influenced by the tonalist tradition which thrived in the Bay Area a century ago. We paired Robert and Paul five years ago for a show we called ... continue reading.