A Frame-Maker’s Journal
Updates and ruminations on our work and mission to revive the art and craft of framing pictures. Here I'll show you new jobs we're especially proud of and keep you up on what's going on at the Gallery, as well as discuss topics germane to our work, including handcraft and work generally, the place of art, and ideals of the Arts and Crafts Movement (especially its greatest leaders, John Ruskin and William Morris).
I hope you’ll subscribe (see the form in the left column) or at least check back often. And I welcome your comments!
This is a small (the base is 8″ x 8″) bronze of a kodiac bear by one of this country’s foremost animal artists (or “animaliers”), Alexander Phimister Proctor (1860-1950). “I am eternally obsessed,” Proctor said, “with two deep... continue reading.
I have a soft spot for anonymous work people bring me to frame. Maybe that’s because most frame-makers are anonymous. But there are plenty of other reasons to love this woodblock. If I have to guess, I’ll say it’s from the 1920’s. (How do we sens... continue reading.
We just framed these three landscape oils by the gregarious and much loved southern California painter Sam Hyde Harris (1889-1977). On all three I played with outset corners, although on “Enclave,” the third one below, the outset corners are on the narrower ... continue reading.
In a post yesterday, I showed a print by Hasui Kawase (1883-1957), “Moon at Mogame,” in a mortise-and-tenon frame similar to our Yoshida frame. This frame too is similar to the Yoshida but instead of mortise-and-tenon joints has bridle joints (see detail). T... continue reading.
We love to frame Shin Hanga prints—the twentieth century revival of Japan’s great printmaking tradition. The term “Shin Hanga” means “new prints,” and was coined by the printing house Watanabe—now in its second century—to apply to the... continue reading.
Thought you might be looking for something serene. Wellington Reynolds (1865-1949) grew up on a farm in Illinois. He moved to Chicago to study painting, later honed his skills in Munich and Paris, before joining the faculty at the Art Institute of Chicago in 1913. In hi... continue reading.
Terry Miura has shared this wonderful short video tour of his studio in Rancho Cordoba, outside Sacramento. As you can see, it’s not only a beautiful studio, but well-appointed classroom as well. If you’d like to take classes with Terry, check out his websit... continue reading.
“It is indeed in…the belief in the beneficent progress of civilisation, that I…entreat you… to enter into the real meaning of the arts, which are surely the expression of reverence for nature, and the crown of nature, the life of man upon the ear... continue reading.
Body and spirit are inseparable. And so are their well-being. A doctor on the front lines of the coronavirus emergency was asked on NPR the other day about the value of simple, home-made face masks. You might have expected him to minimize their importance, since clearly... continue reading.