A Frame-Maker’s Journal
Updates and reflections on our work and mission to revive the art and craft of framing pictures. Here I'll show you new jobs we're especially proud of and keep you up on what's going on at the Gallery, as well as discuss topics germane to our work, including handcraft and work generally, the place of art, and ideals of the Arts and Crafts Movement (especially its greatest leaders, John Ruskin and William Morris).
I hope you’ll subscribe (see the form in the left column) or at least check back often. And I welcome your comments!
This is a 9″ x 6″ etching by Harrison Clarke titled “Garden Gate, Spain,” n.d. (1930’s). Most of the frame is 3/4″ wide, but it bumps out 1/8″ at the top portion, and that wider portion is also 1/16″ thicker than the lower... continue reading.
This is a set of contemporary Italian tiles in another example of what I’m calling, for lack of a better term, a sheltering frame, a bit like the one discussed in my last post on framing a William Rice print. Each tile is 6″ x 6″, so the whole set of e... continue reading.
I’ve written before (in this post, for example) about the unique opportunity for harmony that exists between a block print and a wooden frame: the carving of the face of the frame can create not only an effective profile for the presentation of the print but can a... continue reading.
Here’s a feather in our cap—or our cowboy hat. We had the honor this month of getting to make a frame for a painting by N.C. Wyeth (American, 1882-1945). The oil on canvas, titled “Ahead Rode a Keen-Eyed Man,” 11″ x 36″, was made in 1908 ... continue reading.
A little rounding off can make a frame a kind of “O,” so it seemed clear how this poster, “O is for Odetta,” should be framed. The 21″ x 15″ silkscreen is by long time Berkeley High School art teacher Miriam Klein Stahl, and is one of... continue reading.
Two thirds of the Earth is ocean, so as land animals, our lives as humans are framed by the sea. Angel Espoy (Spain and California, 1879-1963) was a sailor and merchant marine and even a ship’s captain, and so knew his subject for this painting well. Not only that... continue reading.
This is a linoleum block print by Norbertine von Bresslern-Roth (Austria, 1891-1978), who some regard as the greatest twentieth century European animal artist. The untitled 8″ x 9-1/8″ linocut of three greyhounds is dated 1926. Bresslern-Roth beautifully cap... continue reading.
Not much is known about this stitched piece, but it was clearly made in the early twentieth century. It came to us with a raw edge, so evidently never saw any use or enjoyed presentation of any kind. We had it stretched and gave the 21″ x 20″ work a 3″... continue reading.