Here’s the second of three posts showing our recent framing of three Karima Cammell egg tempera portrait paintings. As I mentioned in the last post, Karima’s affection for the decorative arts, much evident in the model’s clothes and background, is a great cue for the frame-maker. This frame, like the one posted yesterday, is in stained walnut. The flat mitered frame, which is a 2″ wide profile, was designed to extend the flat surface of the wall behind the girl and her dog, but brought forward in proportion to serve as a suitable window. Then I made it alive to the painting by carving it with a “V” pattern that’s an enlarged and simplified take on the patterns of the wall and rug.
Read about the first the three Karima Cammell paintings we framed…
Read about the third of the three Karima Cammell paintings we framed…
« Back to Blog